Tuesday, July 20, 2010

STOP MOTION ANIMATION WORKSHOPS with Vanessa Daws

Stop Motion Animation workshop at The Courthouse Gallery, Ennistymon
with artist Vanessa Daws.
MONDAY 9 / 10 /11 & 12 AUG, from 12 - 4 PM
For teenagers & adults
2 x 2 day course
€25 per day, minimum of two days

video

During the workshops participants will use different stop motion animation techniques such as sand animation, bringing drawings to life, claymation and making objects appear to move by themselves.
In groups the participants will develop storyboards, build characters and sets, use sound and take lots of photos! When these photos are played at 12 frames per second the characters they created will magically come to life.
All the animations will be edited with music and DVD's sent out to all the participants.

Booking is essential as places are limited.

To book a place, please contact the Courthouse Gallery: 065-7071630 or send an email: ennistymoncourthousegallery@gmail.com

Thursday, July 15, 2010

"Site Meetings160710"

Site Meetings 160710: Ennistymon based artists Alexandra Boettcher, Maeve Collins and Maria Kerin will be performing a site-specific , once off work in the gallery on Friday 16th at 8pm sharp. This interactive performance includes skyping live to an audience in America. The audience here are welcome to experience this free multimedia performance of non-stylised embodied movement with live sound that explores points of meeting from different perspectives in the gallery space.
See www.sitemeetings.blogspot.com for more information.

Artists statement:  Ennistymon based artists Alexandra Boettcher, Maeve Collins and Maria Kerin are creating through live performance and new media. Through a variety of media: drawing, film, internet, sound, instillation and dance they perform through non-stylised movement a response to the site as it offers a place of arrival, a meeting place for a live embodied movement process that stems out of a shared daily movement practice. As visitors to a site they  receive and give, trusting that the space will provide a point of resistance and potential for transformation through creativity they explore presence with meeting points in contemporary culture. 

Riches of Clare

Riches of Clare 
Lunchtime Concert
Friday 16th July 1pm - 2pm   FREE EVENT

Traditional Irish Music
Johnjo Kelly, Liam Joyce, Carmel O'Dea & Treasa O'Dea

Monday, July 12, 2010

LAUNCH of O'CONNOR, PRENDERGAST, SHARP and HANRAHAN EXHIBITION



'ENNISTYMON HORSE FAIR' new paintings by Michael Hanrahan

MICHAEL HANRAHAN ‘Ennistymon Horse Fair’

2nd July – 29th July opening 3 July at 5 pm





Michael Hanrahan is a studio artist at the Courthouse Gallery in Ennistymon, Co Clare. he is just back from a world cruise on the largest ocean liner in the world.
He was the Art instructor on board of the Cunard's flagship 'Queen Mary 2'.
He travelled and taught Watercolour painting as he cruised from Cape Town, to St.Helena, Rio de Janeiro, Barbados, Florida, New York, and back to Southampton.
Michael has followed up a long banking career with a move to the world of Art.
He studied at NCAD and at the Burren College of Art.

His new work is inspired by the Horse Fair held each April and November in the busy market town of Ennistymon. He captures the colour, the excitement, and characters of the horse fair. http://www.michaelhanrahan.net

This exhibition is in conjunction with the O’CONNOR, PRENDERGAST, SHARP exhibition : LANDSCAPES OF N & W CLARE in the Main Gallery of the Courthouse.

Saturday, June 26, 2010

O'Connor,Prendergast, Sharp, Landscapes of N. & W. Clare

2nd July - 29th July

This exhibition will open on Saturday 3rd July at 5pm

These three artists roam the roads of Clare; no longer with knapsack and easel but driving as we all do, and suddenly seeing something across a field or even in the wing of a mirror.
 

Mike O'Connor arrives home with scrapes of notes and pencil-drawings, which also may stay pinned in view for many months before being processed as a black and white or multicolour linocut. The need then, since a print is made through indirect stages, is to restore the energy of the first viewing - through varied style / technique of block cutting and hand printing.




Tom Prendergast hunts by road , from Kilkee to Kilbaha, often spending painstaking hours on a postcard size oil painting onto hardboard. Other images are brought home to be formalized into strong, simple elements with cutout paper.





or Richard Sharp and his dog there will be a screech of brakes, a clatter of dulex cans, and some bright thing will be rapidly recorded in pastels, Indian Ink or gloss paint, on canvas or MDF board. Some will be completed in minutes while others may wait their turn for a year before being resolved.

Thursday, June 17, 2010

Niamh Parsons and Graham Dunne

Niamh Parsons has come to be known as one of the most distinctive voices in Irish music. She will give a concert tonight in the Courthouse Gallery at 9pm.  She will be playing in a duet with Graham Dunne.      Admission €13

Site Meetings 170610



Site Meetings 170610 was performed today by Maria Kerin and Maeve Collins and broadcast from a specific street sculpture site in the AbunDANCE International Choreography and Dance Festival in Karlstad, Sweden. It was broadcast using Skype new media and video projection, and our audience experienced it  LIVE  here in the Gallery in Ennistymon, Co. Clare.

                                        Maeve Collins

Maria Kerin



for more information:
sitemeetings.blogspot.com

Wednesday, May 26, 2010

Light, Space and the Body

Light, Space and the Body

 22nd May - 24th June

 Maeve Collins 
 Karen Hendy
 Adam Pomeroy

An exhibition of work by three artists who are all coming to the body through a journey of individual enquiry and process. The show comprises of mixed media artworks, drawing and painting.
 
  
                                               

Maeve Collins uses drawing to begin going back into her body, where transparent materials are layered in sculptural artworks, incorporating light and space. The layering of surfaces attempts to hold a fleeting sense of drawings from the body. The qualities of these embodied works reveal a tense stillness and an expressive quietness with a reflective need.
                                                                            

 
  Karen Hendy's work represents her desire to capture the cycle of change, which is characteristic of impermanence; the disintegration and reinvention of reality, a process that is never at rest, and how this relates to the body. To do this Hendy works through painting, where she uses oil on canvas to express this desire in very abstracted colourful artworks.  




Adam Pomeroy: "In these works, the figure has been realistically depicted, but placed in a background that is devoid of time and place. This serves to challenge its solidity and subvert the illusion of reality. The subject shares no common truth with the viewer; it exists only within its own space. The figure is used as a means to question what we are alone and nameless."


   

Other People's Memories

Other People's Memories
by  Sara Foust
 Red Couch Space. 22 May - 19 June
 "Other People's Memories" is a preview of new work by artist Sara Foust.
   below: "Ready Steady" by Sara Foust
 Much of the work was created by Sara as part of a public art commission in Kilarney, Co. Kerry. Over the past year, Sara has interviewed residents of a sheltered housing facility in Kilarney about what home means to them. Based on these collected statements, she has created 45 paintings, one for each of the residents, which will be given to them later in the year. The paintings are inspired by stories recounted for her by the residents and capture a sense of fragmented nostalgia, of mystery and fairytale, like half-remembered stories. Sara uses a technique of vivid underpainting to create visual feedback,giving a sense of colour which buzzes and hums. The paintings seem to shimmer, with contrary colours underlying and breaking through.  "Other People's Memories" is a selection of work from the commission, a privileged peek at this new work by Sara Foust